加拿大地域主義文學研究

Acknowledgements
Introduction
Ⅰ.Regions and Regionalisms
Ⅱ.Region，Writing，Reading，and Criticism
Ⅲ.A Structural Sketch of the Research

Chapter One　Regionalism：Concept，History and Critical Directions
Ⅰ.Regionalism and Its Evolution
Ⅱ.The Problems with Regionalism：Politics and Canonicity
Ⅲ.Regionalism and Critical Interrogation
Ⅳ.Regionalism，Narcissism，and Heterogeneity

Ⅴ.A Criticism of Criticism：Regionalism and Thematic Criticism
1.Regionalism and the Evolution of Thematic Criticism
2.Critical Receptions of Thematic Criticism
3.Textual Thematics and Contextual Thematics

Chapter Two　Writing the Prairie.- The Short Stories of Sinclair Ross
Ⅰ.Towards a New Conception of Landscape
Ⅱ.Landscape as Realist Text in Sinclair Rosss Short Fiction
Ⅲ.Prairie Landscape，Metaphor andⅤalue

Ⅳ.Sinclair Rosss Moral Landscape：Production and Alienation
1.Morality and the Symptoms of Alienation
2.The Image of the House and Alienation
Ⅴ.Sinclair Rosss Orchestration of Geography，Imagination，Morality and Reality

Chapter Three　The Maritimes in Alistair MacLeods Short Stories
Ⅰ.Maritime Geography and Landscape
Ⅱ.Weaving a Tapestry of Cape Breton Culture

Ⅲ.Belligerence to the Outsider：Occupation，Cultural Purity，and Biological Symbolism
1.Occupational Heredity and Belligerence to the Outsider
2.Cultural Purity and Belligerence to the Outsider
3.Biological Symbolism and Belligerence to the Outsider
Ⅳ.Writing Region from Memory：IndⅣiduals，Community and Temporality

Ⅴ.The Personal and the Local：Space，Place，Region，and Identity
1.Spatial Enclosure，Exile，and Identity
2.Spatiality and Identity in 「The Boat」
3.Place，Spatiality，and SubjectⅣity in 「Island」
Conclusion