深入內在世界：羅伯特‧勃萊「深層意象」詩歌研究（英文）

Introduction
Chapter One A General Review on Deep Image
1.1 Deep Image
1.1.1 Background Introduction of Deep Image
1.1.2 Rothenberg and Kelly's Views on Deep Image
1.2 Robert Bly's Deep Image Poetics
1.3 Themes of Deep Image Poetry

Chapter Two Comparison Between Imagism and Deep Imagism
2.1 Difference in Theory
2.2 Difference in Practice

Chapter Three Theoretical Foundations of Bly's Poetics
3.1 Freud and Jung's Theories of the Unconscious
3.2 Mysticism: the Theory of the Duende and Boehmenism
3.2.1 The Duende: the Muse of Poetry
3.2.2 Boehmenism: Between the Inward and the Outward
3.3 Transcendentalism

Chapter Four Return to Solitude
4.1 The Poet and Solitude
4.2 Solitude: A Passage to Pleasure
4.3 Significance of Solitude

Chapter Five Deep Image Poetics in Robert Bly's Political Poetry
5.1 Political Poetry in America
5.2 Robert Bly's Theory of Political Poetry
5.3 The Light Around the Body and "The Teeth Mother Naked at Last"

Chapter Six The Shadow in "Sleepers Joining Hands"
6.1 Interpretation of the Shadow
6.2 The Shadow in the Poem
6.2.1 The Shadow as the Poet
6.2.2 The Shadow as the Anima
6.2.3 The Shadow as the Collective Image
6.3 The Shadow and the Self

Chapter Seven The Way to the Inward Life: Ancient Chinese Poetics and Poetry in Robert Bly
7.1 A Brief Background Introduction
7.2 Chinese Poets in Robert Bly
7.3 Taoism in Robert Bly

Conclusion
Selected Bibliography