Anthology for Music in Western Civilization Volume II [平裝]

The ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, Media Update, Volume I, together with its companion Volume II, contains a total of 224 scores representing all the major European styles, genres, and composers. The anthologies include an introduction to, a score for, and (where applicable) lyrics and translation for each piece discussed in Wright and Simms's MUSIC IN WESTERN CIVILIZATION and included in the supplementary CD set. Volume I of the anthology is correlated to Chapters 1 through 40 in the text, while Volume II is correlated to Chapters 41 through 83 in the text. The anthologies are available in a two-volume set to provide instructors with maximum flexibility.

 

 

Part V: THE ENLIGHTENMENT AND THE CLASSICAL ERA.
41. Music in the Age of Enlightenment: Opera.
42. Music in the Age of Enlightenment: Orchestral Music.
43. Music in the Age of Enlightenment: Keyboard Music.
44. Classical Music in Vienna.
45. Joseph Haydn: Instrumental Music.
46. Joseph Haydn: Late Symphonies and Vocal Music.
47. Wolfgang Amadeus Mozart: Instrumental Music.
48. Wolfgang Amadeus Mozart: Vocal Music.
49. The Early Music of Beethoven.
50. Beethoven's Middle Period: 1802-1814.
51. After the Congress of Vienna: Beethoven's Late Music.
Part VI: ROMANTICISM.
Musical Interlude 7: Romanticism.
52. Franz Schubert.
53. Music in Paris Under Louis Philippe: Berlioz and Chopin.
54. Leipzig and the Gewandhaus: Mendelssohn and the Schumanns.
55. German Opera in the Nineteenth Century: Weber and Wagner.
56. Opera in Italy: Rossini and Verdi.
57. Nationalism and Virtuosity: Franz Liszt.
58. Vienna in the Late Nineteenth Century: Brahms and Bruckner.
59. Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky.
60. Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler.
61. England at the End of the Romantic Period: Elgar and Vaughan Williams.
62. Opera in Milan After Verdi: Puccini, Toscanini, and Verismo.
63. Paris of the Belle Epoque: Debussy, Fauré, and Lili Boulanger.
Part VII: THE EARLY TWENTIETH CENTURY.
Musical Interlude 8: Music Since 1900.
64. Richard Strauss in Berlin.
65. Music in Russian During the Silver Age: Igor Stravinsky.
66. Atonality: Schoenberg and Scriabin.
67. French Music at the Time of World War I: Ravel and Satie.
68. Music in Paris After World War I: Stravinsky and the Six.
69. Vienna in the Aftermath of War: Twelve-Tone Methods.
70. Musical Theater in Germany in the 1920's: Berg and Weill.
71. Béla Bartók and Hungarian Folk Music.
72. Early Jazz.
73. Paul Hindemith and Music in Nazi Germany.
74. Music in Soviet Russia: Prokofiev and Shostakovich.
75. Self-Reliance in American Music: Ives, Seeger, and Nancarrow.
76. American Composers Return from Europe: Copland and Barber.
77. Tin Pan Alley and the Broadway Musical.
Part VIII: CONTEMPORARY MUSIC.
Musical Interlude 9: After World War II.
78. Reflections on War: Britten, Penderecki, and Others.
79. Twelve-Tone Music and Serialism After World War II.
80. Alternatives to Serialism: Chance, Electronics, Textures.
81. Harlem in the 1930s, 1940s, and 1950s: Big Bands, Bebop, and Cool Jazz.
Musical Interlude 10: The Birth of Rock.
Musical Interlude 11: Music in the Movies.
82. Music of the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations.
83. Returning to the Known: Music of the Recent Past.